Today on Bookish I'm thrilled to welcome Gerrard Cowan, author of The Machinery! Gerrard was one of the fifteen authors chosen by Harper Voyager during their open submissions a couple of years back for his novel The Machinery. Look out for my review of The Machinery coming tomorrow but in the meantime happy book birthday Gerrard!
Don’t Forget The Grey Bits
One of
the main challenges an author faces is characterisation. I have heard many
different methods and techniques writers employ to create believable
protagonists. You should pull together separate biographies for each of them.
You should go down to the pub or the supermarket, and listen to the way people
talk. You should base your characters on people you know, like your partner or
your friends (not sure this one is very advisable).
For me,
it was more a process of trial and error. I developed a rough idea of who each
character was, but I didn’t write it down: it was just in my head. I then
launched into writing, and over the course of several years and many drafts, my
picture of each of them grew increasingly clear.
But that’s
just the way it worked for me, and I certainly wouldn’t advise against
preparing detailed sketches before you begin, or taking whatever other approach
works for you. One thing I would say, however, is that you should remember to
colour in the grey bits.
In
today’s fantasy genre, you rarely come across characters that are totally good
or totally evil. George RR Martin’s books are the classic example, but the same
applies to the other big names in the genre. I absolutely love Mark Lawrence’s Broken Empire Trilogy. The main
character in these, Jorg Ancrath, is on paper a very dislikeable guy, but you
end up rooting for him. At least I did.
Anyway,
I am likely preaching to the converted. Fantasy readers demand nothing less
than rounded, complex characters these days. But how do you go about doing
this? How do you find the grey bits?
For me,
the trick was to focus on the details. One of the main characters of The Machinery is Aranfal, who is a
member of the Watchers: a kind of police service meets intelligence agency. It’s
made clear early on that he is a torturer, whose particular technique to
extract information from someone is to hurt his or her loved ones. Clearly he’s
not the nicest guy in the world. However, at the same time, he isn’t a
fire-breathing ghoul. He has been twisted by his membership of the Watchers,
whose modus operandi is torture. He joined the organisation as a bright-eyed
youth, confident that he could change its ways of working: in the end, it
changed him.
Now,
this is not to excuse his actions. But there is more to him than a cruel
torturer. One day, when I was describing his living quarters, I suddenly found
myself writing about his collection: rows of shelves in which he keeps ancient
trinkets that he has found through his travels around the country. In essence,
this ruthless, blood-stained man is also an antiques enthusiast. That little
detail seemed to add such depth to him.
In a
strange way, it’s actually harder finding the grey in your good guys, who can
easily come across as boring and wooden if you’re not careful. The heroine of The Machinery is Katrina Paprissi, a
young Apprentice Watcher who is struggling to establish herself as a full
Watcher. It took me a while to find her voice: I really didn’t want her to come
across as a vapid do-gooder. I eventually hit upon the idea of giving her a
tired, world-weary viewpoint, which is a little jarring in a young person. She
has witnessed some terrible things: she saw her brother being kidnapped when
she was a child, and the subsequent breakdown of her family. It made sense that
she should have a kind of jaded view of the world.
There’s
no particular trick to finding the grey bits. One thing I do, however, is to imagine
the opposite of what we might naturally expect from a character. So, if we have
a man who is hard and cruel, imagine him being loving and caring. You can’t do
this every time. However, you can then move along the spectrum, from the very
opposite point, until you find something you can picture fitting with the
character.
Finding
the grey bits is a challenge, but it’s also a lot of fun. You would never use
just one or two words to sum up the entire personality of a friend or family
member: it should be the same with the characters in your book.
About The Author
Gerrard Cowan is a writer and editor from Derry, in the North West of Ireland. His debut fantasy novel, The Machinery, will be published by HarperVoyager UK in September 2015. It is the first in a trilogy.
His
first known work was a collection of poems on monsters, written for
Halloween when he was eight; it is sadly lost to civilisation...
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