Writing: Top Tips & When To Ignore Them - Mark Latham

 

Top Tips (and When to Ignore Them)

Mark A Latham

When you’re an aspiring writer, everyone wants to give you advice. And because you’re aspiring, you soak it up like a sponge (or, at least, you probably should). The problem is that when I say everyone, I mean everyone. No matter what level of writing success a writer has or hasn’t achieved, or whether they’ve even published anything beyond that self-help book gathering dust on a Waterstones shelf, they’re still ready to throw advice at newbies. The old chestnuts are there – Find your voice! Show, don’t tell! Think about POV! Don’t use too many exclamation marks! (Cough).

However, when you actually get down to the nuts and bolts of writing and start to get your work out there for public consumption, you’ll often realise that large swathes of the advice you were offered were simply… irrelevant. I certainly did. Sometimes, by trying to obey the rules, you end up hamstringing yourself, rather than find your own path. Only by failing, do we learn, young padawan. (Cough, again).

So I’m not going to offer you any advice in this blog. Well, I am, but not like that. No, I’m simply going to pass on the best bits of advice I ever received – things that I actually think on regularly, and that have stuck with me.

Never Compromise! 

 

This is a recent piece of advice I heard from SF author Rob Boffard, which is similar – but not quite the same – as Stephen King’s famous quote ‘first write for yourself, then the audience’. What he’s saying is, if you love writing a certain way (in his case, rip-roaring, fast-paced actioners; in my case, atmospheric and macabre stories), don’t change because people don’t like your style. He’s not saying ‘never listen to criticism’. He’s saying ‘find the audience that loves the style you write in, and write for them’. People telling Rob to write some slow, atmospheric scenes is like people telling me to write a happy ending full of rainbows and ponies. Ain’t gonna happen.

Never Respond to Negative Reviews

 

I’ve heard this many times, and boy is it true! Learn from them. Shout at them. Get mad. Get upset. Or just ignore them… whatever. Bad reviews are part of life. Some of them will come about because you genuinely messed up, and that mistake was unforgivable to a particular reviewer. Some will be because the reviewer just doesn’t get what you’re about, or missed some nuance in the story that other readers were okay with. It doesn’t matter. If you are in any doubt as to whether or not you should ever respond to criticism on the internet, just Google Stephan J Harper, read the tale of woe that follows, and think again!

Listen to your Editor

 

Hmm, turns out this gem actually is mine. So I lied, I am going to give you advice. A good editor is everything to a good book. Well, not everything – you have to write the damn thing first. But a good editor will help you make it shine. What do I mean by ‘good’ editor? One who works with you in a two-way process. One who has a clear understanding of your vision, a clear vision themselves of how the book will be positioned in the marketplace, and who the target audience is. Only then can they truly advise and guide you. And the process can be painful – you might decide to ignore some of their advice, or find a different solution than the one they suggest, but do so as part of an open and collaborative process, rather than from a position of defensiveness, and the book will be better for it.

And finally, one from Stephen King himself:

Writing is about getting happy. 

 

‘Writing isn’t about making money, getting famous, getting dates, getting laid or making friends. Writing is magic, as much as the water of life as any other creative art. The water is free. So drink.’ I’m reminded of this every time I whinge about how hard my day has been, when the words won’t come on the page, or I feel like I’ve done a lousy job. Draw a line under it, and remember you’re doing the thing you love. It should make you happy, even when it seems like the hardest thing in the world. So go to bed, and get back at it the next morning, thinking happy thoughts!

 
Mark A. Latham is a writer, editor, history nerd, frustrated grunge singer and amateur baker from Staffordshire, UK. A recent immigrant to Nottingham, he lives in a very old house (sadly not haunted), and is still regarded as a foreigner.

Formerly the editor of White Dwarf magazine, Mark dabbled in tabletop games design before becoming a full-time author. A writer of strange, fantastical and macabre tales, his short stories have been published by Titan Books and Black Library Publishing. Revelling in the moniker ‘the Lost Victorian’, Mark’s research into nineteenth-century life has become something of an obsession, which he salves by writing on the subject for far longer than can be considered healthy.

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